{"id":8103,"date":"2015-01-10T08:00:39","date_gmt":"2015-01-10T07:00:39","guid":{"rendered":"http:\/\/elbiblionauta.com\/ca\/?p=8103"},"modified":"2016-09-03T09:16:26","modified_gmt":"2016-09-03T07:16:26","slug":"el-espectroscopio-del-alma-2015-edward-page-mitchell","status":"publish","type":"post","link":"https:\/\/elbiblionauta.com\/ca\/2015\/01\/10\/el-espectroscopio-del-alma-2015-edward-page-mitchell\/","title":{"rendered":"L’ESPECTROSCOPI DE L’\u00c0NIMA (2015) – Edward Page Mitchell"},"content":{"rendered":"
Autor<\/strong>: Edward Page Mitchell<\/div>\n
T\u00edtol<\/strong>: El espectroscopio del alma<\/div>\n
Editorial<\/strong>: OrcinyPress<\/div>\n
Edici\u00f3<\/strong>: Hugo Camacho<\/div>\n
Any<\/strong>: 2015<\/div>\n
P\u00e0gines<\/strong>: 184<\/div>\n
ISBN<\/strong>: 978-84-943181-1-5<\/div>\n
Valoraci\u00f3<\/strong>:\u00a0\u2605\u2605\u2605\u2605\u2605<\/div>\n

 <\/p>\n

Quan Hugo Camacho<\/a><\/strong> em va dir si m\u2019interessava ressenyar algun dels llibres d\u2019OrcinyPress no m\u2019ho vaig pensar dues vegades. Havia seguit a trav\u00e9s de les xarxes els primers passos d\u2019aquest nou segell editorial i la veritat \u00e9s que em feia molta il\u00b7lusi\u00f3 llegir-ne alguna cosa. OrcinyPress \u00e9s una petita editorial independent, especialitzada en literatura especulativa. Una raresa en els temps que corren<\/strong>. Neix a partir de la llibreria hom\u00f2nima OrcinyBooks, que opera online i que recentment tamb\u00e9 ha redirigit la seva activitat cap als g\u00e8neres fant\u00e0stics (tamb\u00e9 en catal\u00e0). Despr\u00e9s d\u2019haver col\u00b7laborat ben activament en l\u2019\u00faltima MirCon i estar enllestint una antologia de relats fant\u00e0stics en catal\u00e0 (atenci\u00f3 al relat vamp\u00edric del tripulant\u00a0Enric Bassegoda<\/a><\/strong>), OrcinyPress finalment publicar\u00e0\u00a0aquest gener els seus primers t\u00edtols: El final del duelo<\/em> (2015) del novell Alejandro Marcos Ortega<\/strong> (1986), novel\u00b7la ubicada dins els subg\u00e8nere de la fantasia urbana, i El espectroscopio del alma<\/em>, d\u2019Edward Page Mitchell<\/a><\/strong>, l\u2019antologia de relats fant\u00e0stics que ressenyem avui.<\/p>\n

He de confessar que el primer que vaig pensar quan vaig comen\u00e7ar a llegir El espectroscopio del alma<\/em>, \u00e9s que es tractava d\u2019un fake<\/em>. En la meva ignor\u00e0ncia mai havia sentit a parlar d\u2019Edward Page Mitchell ni de cap dels seus relats, i senzillament no podia concebre que un autor d\u2019aquesta envergadura hagu\u00e9s estat tan brutalment oblidat per la hist\u00f2ria. Ni m\u00e9s ni menys que a Wells, el pare de la ci\u00e8ncia ficci\u00f3 (de la m\u00e0 amb Verne) s\u2019avan\u00e7a Mitchell en moltes de les seves prediccions fant\u00e0stiques<\/strong>. Massa coses, massa extraordin\u00e0ries. Havia de ser fals per for\u00e7a. S\u2019havia de tractar d\u2019un joc literari, potser del propi editor. De fet, el pr\u00f2leg no em va esvair aquests dubtes. Al contrari. Titulat \u201cEl hombre que se adelant\u00f3 a Wells\u201d i escrit pel propi Hugo en forma d\u2019entrevista novel\u00b7lada a Sam Moskowitz<\/strong>, fam\u00f3s redactor de la popular revista Weird Tales<\/em> i autor del primer llibre recopilatori de Mitchell, The Crystal Man: Stories by Edward Page Mitchell, collected and with a biographical perspective by Sam Moskowitz<\/em> (1973), ens d\u00f3na not\u00edcia de la seva peculiar personalitat, per\u00f2 amb un estil novel\u00b7litzat que desconcerta for\u00e7a.<\/p>\n

En aquest pr\u00f2leg-relat, descobrim que la falta d\u2019ambici\u00f3 liter\u00e0ria de Mitchell el deix\u00e0 fora del canon oficial i el releg\u00e0 a l\u2019oblit<\/strong>, d\u2019on fou rescatat per Moskowitz. A m\u00e9s, el fet que molts relats circulessin an\u00f2nimament va dificultar la tasca d\u2019aplegar-los<\/strong>. Pel que explica Moskowitz, Mitchell va treballar a la revista The Sun<\/em>, on es f\u00e9u ress\u00f2 de not\u00edcies ins\u00f2lites alhora que hi publicava els seus propis relats de ficci\u00f3.<\/p>\n

\n

Lo m\u00e1s gracioso de The Sun es que novelizaban las not\u00edcias (…) Cog\u00edan los hechos, los ordenaban con una trama e inclu\u00edan a las personas que se hab\u00edan visto involucradas como personajes<\/strong>.<\/p>\n<\/blockquote>\n

Exactament igual com el pr\u00f2leg-relat que ha fabulat Hugo Camacho en un enginy\u00f3s exercici literari. The Sun<\/em> no eren els \u00fanics que tractaven les not\u00edcies d\u2019aquesta forma particular. Tamb\u00e9 al nostre pa\u00eds diaris i publicacions com La Vanguardia<\/em> o La Estampa<\/em> literaturitzen al segle XIX sense problemes alguns successos fant\u00e0stics, tal i com he anat comentant precisament en aquest bloc al llarg de l\u2019\u00faltim any.<\/p>\n

Escriu l\u2019editor al final del pr\u00f2leg-relat:<\/p>\n

\n

No me cupo duda de que estaba ante un escritor que, de haber sido con \u00e9l m\u00e1s justa la historia de la ciencia ficci\u00f3n, deb\u00eda de ocupar otro puesto m\u00e1s cercano a Verne, Wells o Shelley como pionero de este g\u00e9nero.<\/strong><\/p>\n<\/blockquote>\n

Acceptat el fet que existia l\u2019autor, l\u2019\u00fanica manera d\u2019explicar aquest oblit superlatiu era imaginar que potser tot plegat era una exageraci\u00f3, que no era tan extraordinari. Potser senzillament la manca de reconeixement i l\u2019oblit li venien per no haver sabut bastir amb fonament uns relats que, si b\u00e9 en el fons podien contenir el valor de la novetat, en la forma eren simples o defectuosos. Per\u00f2 no. No nom\u00e9s els 10 relats antologats aqu\u00ed (del total de 30 que va escriure Mitchell) responen a les expectatives generades pel pr\u00f2leg quant a fons i forma, sin\u00f3 que les sobrepassen amb escreix.<\/strong><\/p>\n

\u201cEl taquipompo\u201d (1874) obre l\u2019antologia. \u00c9s l\u2019\u00fanic relat que no va apar\u00e8ixer publicat a The Sun<\/em>, sin\u00f3 a l\u2019Scribener\u2019s Monthly<\/em>. La hist\u00f2ria ens presenta l’habitual parella d\u2019amants que pateixen l\u2019oposici\u00f3 del pare d\u2019ella. En aquest cas el defecte del pretendent \u00e9s, ni m\u00e9s ni menys, que la seva manca d\u2019esperit matem\u00e0tic. T\u00edpic estirabot de Mitchell. La resoluci\u00f3 tamb\u00e9 ser\u00e0 l’habitual i vindr\u00e0 donada per un invent extraordinari, una m\u00e0quina de moviment perpetu capa\u00e7 de desafiar la velocitat de la llum, el taquipompo<\/strong>.\u00a0\u201cEl espectroscopio del alma\u201d (1875) que d\u00f3na t\u00edtol al volum \u00e9s el segon relat. S’enceta com\u00a0una discussi\u00f3 cient\u00edfico-filos\u00f2fica sobre all\u00f2 material i all\u00f2 immaterial<\/strong>. Per a demostrar que no existeix una frontera clara entre tots dos el protagonista, el professor Dummkopf, realitza diverses temptatives per fotografia olors, embotellar el so o analitzar els secrets de l\u2019anima humana a partir d\u2019una m\u00e0quina revolucion\u00e0ria, un espectroscopi.\u00a0\u201cEl interior de la Tierra\u201d (1876) \u00e9s un altre relat protagonitzat per un personatge de nom hilarant, Claltus, i la mat\u00e8ria d\u2019estudi \u00e9s la teoria del mar polar obert a trav\u00e9s d\u2019un gran forat que travessa de pol a pol el planeta (en un moment que encara l\u2019home no hi havia arribat)<\/strong>.\u00a0A \u201cEl hombre sin cuerpo\u201d (1877) ens retrobem amb\u00a0el professor Dummkopf. Segons llegim en aquesta grotesca hist\u00f2ria, per culpa d\u2019un experiment fallit de teletransportaci\u00f3 el seu cap viu independentment del cos en un museu d\u2019hist\u00f2ria natural, on mant\u00e9 una erudita conversa amb un visitant. I aix\u00f2 50 anys abans de La m\u00e0quina desintegradora<\/em> (1927) de Conan Doyle.<\/strong><\/p>\n

\u201cEl hombre m\u00e1s capaz del mundo\u201d (1879) \u00e9s una divertida hist\u00f2ria, de les millor de l\u2019antologia, a prop\u00f2sit d\u2019una mena d\u2019androide (o cyborg<\/em>)<\/strong> i de diversos dilemes morals motivats per la seva particular naturalesa.\u00a0El relat incideix en el denominat \u201ccomplex de Frankenstein\u201d<\/strong> que havia popularitzat feia uns anys l’autora Mary Shelley<\/strong>.\u00a0\u201cLa hija del senador\u201d (1879) \u00e9s una mena d\u2019ucronia<\/strong>, ja que s\u2019ambienta en un futur alternatiu, for\u00e7a grotesc. El protagonista, el l\u00edder del Partit Mongol-Vegetari\u00e0, \u00e9s un defensor radical del dret a la vida de tots els animals i plantes del planeta, i per aix\u00f2 ha inventat una pastilla aliment\u00edcia substitut\u00f2ria<\/strong>. La seva estimada (casualitats de la vida) \u00e9s la filla del seu antagonista\u00a0pol\u00edtic, un conservador reaccionari i racista. Si a aquest plantejament hi sumem el fet que al final, en un gir ple de dramatisme, el pare branda un article esperp\u00e8ntic de la Constituci\u00f3 que parla ni m\u00e9s ni menys que de criogenitzaci\u00f3<\/strong>, el resultat \u00e9s un relat doblement fant\u00e0stic.\u00a0\u201cEl experimento del professor\u201d (1880) segueix una l\u00ednia id\u00e8ntica al relat anterior quant al plantejament sentimental de la trama. En aquest cas, per\u00f2, la soluci\u00f3 a l\u2019oposici\u00f3 paterna sembla passar per la cirugia i la trepanaci\u00f3.<\/p>\n

\n

No hay nada m\u00e1s f\u00e1cil de cambiar que las convicciones de uno. Gracias a los avances de la cirug\u00eda<\/strong>.<\/p>\n<\/blockquote>\n

Novament, el text incideix de passada en la cr\u00edtica a la desmesurada ambici\u00f3 cient\u00edfica<\/strong>, i el professor del t\u00edtol sembla estar m\u00e9s a prop d’un savi boig que d’un cient\u00edfic altruista.<\/p>\n

En fi, que un cop l’has acabat de llegir no pots deixar de preguntar-te\u00a0com havies pogut viure\u00a0tot aquest temps sense saber qui era Edward Page Mitchell<\/strong>. Per aix\u00f2 mateix \u00e9s impossible no\u00a0recomanar aquest llibre.\u00a0OrcinyPress ha posat les bases amb aquesta antologia (on apareixen tradu\u00efts al castell\u00e0 per primer cop alguns dels millors relats del mestre) perqu\u00e8 puguem comen\u00e7ar a fer-li just\u00edcia<\/strong>. I per si de cas, a part de l’edici\u00f3 en paper n’han tret tamb\u00e9 una altra d’electr\u00f2nica per als que no els importa llegir en aquest format, m\u00e9s econ\u00f2mica i accessible. No hi ha excusa, doncs, a partir d’ara.<\/p>\n

Relats continguts en aquesta antologia:<\/strong><\/div>\n
El taquipompo\u00a0\u2605\u2605\u2605\u2605<\/div>\n
El espectroscopio del alma\u00a0\u2605\u2605\u2605<\/div>\n
El interior de la Tierra\u00a0\u2605\u2605\u2605<\/div>\n
El hombre sin cuerpo\u00a0\u2605\u2605\u2605\u2605<\/div>\n
El hombre m\u00e1s capaz del mundo\u00a0\u2605\u2605\u2605\u2605\u2605<\/div>\n
La hija del senador\u00a0\u2605\u2605\u2605\u2605\u2605<\/div>\n
El experimento del professor\u00a0\u2605\u2605\u2605\u2605\u2605<\/div>\n
Nuestra guerra con M\u00f3naco\u00a0\u2605\u2605\u2605<\/div>\n
El hombre de cristal\u00a0\u2605\u2605\u2605\u2605\u2605<\/div>\n
El reloj que retroced\u00eda\u00a0\u2605\u2605\u2605\u2605\u2605<\/div>\n

\n

lectura patrocinada per:<\/span><\/div>\n
\"Logo-Orciny<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Autor: Edward Page Mitchell T\u00edtol: El espectroscopio del alma Editorial: OrcinyPress Edici\u00f3: Hugo Camacho Any: 2015 P\u00e0gines: 184 ISBN: 978-84-943181-1-5 Valoraci\u00f3:\u00a0\u2605\u2605\u2605\u2605\u2605   Quan Hugo Camacho em va dir si m\u2019interessava …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Prim\u00edcia al blog: L'ESPECTROSCOPI DE L'\u00c0NIMA (2015) - Edward Page Mitchell. Acabada de sortir de la impremta, hem tingut el privilegi de llegir aquesta antologia abans que es posi a la venda el dia 15. Pioner en parlar de viatges en el temps, homes invisibles, cyborgs, etc. Mitchell \u00e9s el gran oblidat de la ci\u00e8ncia ficci\u00f3 americana. Un nou cl\u00e0ssic que no pots no llegir.","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_links_to":"","_links_to_target":""},"categories":[244,257,473],"tags":[362,360],"class_list":["post-8103","post","type-post","status-publish","format-standard","hentry","category-cienci-ficcio","category-fantasia","category-ressenya","tag-camacho_hugo","tag-mitchell_edward-page"],"yoast_head":"\nL'ESPECTROSCOPI DE L'\u00c0NIMA (2015) - Edward Page Mitchell | El Biblionauta<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/elbiblionauta.com\/ca\/2015\/01\/10\/el-espectroscopio-del-alma-2015-edward-page-mitchell\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'ESPECTROSCOPI DE L'\u00c0NIMA (2015) - 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\u201cNuestra guerra contra M\u00f3naco\u201d (1880), inferior als \u00faltims segons el nostre punt de vista, \u00e9s un nou exemple de futur alternatiu<\/strong>, en qu\u00e8 els EUA i M\u00f3naco passen per una surrealista crisi de confian\u00e7a que gaireb\u00e9 acaba en una guerra. Una nova broma molt ben disfressada, per\u00f2 amb una hist\u00f2ria que fluxieja en comparaci\u00f3 amb les altres<\/strong>.\u00a0\u201cEl hombre de cristal\u201d (1881), en canvi, \u00e9s dels relats que m\u00e9s m\u2019han impressionat, tot i tractar-se d’un dels que t\u00e9 menys humor de tot el llibre. Escrit setze anys abans de L\u2019home invisible<\/em> (1897) d\u2019H.G. Wells no el desmereix gens<\/strong>. Al contrari, si en alguns aspectes segueixen camins paral\u00b7lels, quant a profusi\u00f3 cient\u00edfica \u00e9s for\u00e7a m\u00e9s prolix el de Mitchell<\/strong>. A m\u00e9s, el relat tamb\u00e9 sorpr\u00e8n per algunes refer\u00e8ncies al m\u00e8tode inductiu, ni m\u00e9s ni menys que sis anys abans que aparegu\u00e9s el fam\u00f3s Sherlock Holmes de Conan Doyle<\/strong>. A destacar tamb\u00e9 l\u2019encert del narrador en primera persona no protagonista (en contra de l\u2019habitual narrador omniscient de la literatura del XIX) i el \u00a0desenlla\u00e7.\u00a0Finalment, l’\u00faltim relat \u00e9s \u201cEl reloj que retrocedia\u201d (1881), una altra de les grans sorpreses<\/strong>. Es tracta ni m\u00e9s ni menys que de la hist\u00f2ria d\u2019un viatge en el temps escrit 14 anys abans que Wells imagin\u00e9s\u00a0La m\u00e0quina del temps<\/em><\/a> (1895)<\/strong>. La hist\u00f2ria est\u00e0 bellament narrada, amb les habituals paradoxes\u00a0cronol\u00f2giques<\/strong> a qu\u00e8 ens t\u00e9 acostumats el g\u00e8nere (anys\u00a0m\u00e9s tard), per\u00f2 algunes reflexions a prop\u00f2sit de la disposici\u00f3 de l\u2019espai-temps resulten ben interessants, fins i tot avui dia.<\/strong><\/p>\n